Ejia Liisa Ahtila ”The House”

24 april, 2012 02:39

The House

Eija-Liisa Ahtila. The House, 2002.

In the shadow and solitude of her home.
In Eija-Liisa Ahtila’s exhibition ”Parallel Worlds” at Moderna Museet in Stockholm (11 February – 6 May 2012). I saw ”The House”- a three-channel video installation that envelops viewers, mirroring the protagonist’s acts of self-confinement. The film opens with a woman driving up to a secluded house in the woods. Through a series of fixed camera angles that recall surveillance-camera footage in their passivity and fragmentation, Ahtila describes the interior of the house and its surroundings in vibrant, contrasting colors and lush images. As the film progresses, the protagonist hears voices, her awareness of her environment beginning to disintegrate. She describes her experience to the viewer, stating, “Everything is now simultaneous, here, being. Nothing happens before or after. Things don’t have causes. Things that occur no longer shed light on the past. Time is random and spaces have become overlapping. No place is just one anymore.” As the woman’s perceptions unravel, the images become increasingly dreamlike, eventually creating a complete rupture of spatial and temporal boundaries. As the work reaches its conclusion, she is enveloped in the shadow and solitude of her home, and the onscreen tension is made palpable by the increasing darkness of the gallery space.